Molly Dzangare and Luvo Maranti in Opera UCT's production of Dalinda. PICTURE: Kim Stevens for Opera UCT
Opera UCT has taken a bold departure from traditional period costume design in their production of Gaetano Donizetti’s Dalinda to be staged at the Baxter theatre from Wednesday September 4 to Sunday September 8.
In the world of opera, where music and vocal prowess often steal the spotlight, the significance of set and costume design is sometimes underestimated.
The upcoming world premiere full-stage production of Dalinda by Opera UCT, is a prime example of how these elements can be elevated to new artistic heights, and they promise to be a treat for the audience and the cast.
As Dalinda is being fully staged for the first time in history, it provides a unique opportunity for creative expression.
Based on international costume designer Leticia Parvoleta Ivanova’s concept, the production team including Capetonian costume stylist Widaad Albertus and her team, have embraced the challenge of creating a visual spectacle that not only complements the music but also redefines traditional opera costume design.
“Dalinda, being very much an open book, presents both challenges and opportunities,” says Albertus.
“On one hand, there's the pressure of being the first to ever stage this piece, but on the other, the freedom that comes with it is exhilarating. Without a set precedent, we have the liberty to innovate and create something entirely unique."
Drawing inspiration from the period setting of Byzantine Syria in the Middle Ages, at the end of the Crusades war, the costumes in Dalinda are anything but conventional.
Under the direction of William Costabile Cisco, and Opera UCT’s director Jeremy Silver, the team opted to be inspired by the period rather than strictly adhering to historical accuracy. This approach allows the costumes to retain elements of recognisability while infusing them with a contemporary flair.
Albertus, who has a background in textile design, has used her expertise to experiment with different fabrics and jewels, giving each character a distinct identity through colour schemes and thematic consistency across acts.
“The costumes themselves have a musicality to them,” she hints, suggesting that the visual aspects of the performance will resonate with the audience on multiple levels.
Despite the creative freedom, Albertus is acutely aware of the responsibility that comes with introducing this lost masterpiece to the world.
With over 15 years of experience in theatre costume design, she describes her work on Dalinda as some of the most inventive she has ever undertaken.
“When working with history, we usually stick to that because there are existing references and audiences have certain expectations. But with Dalinda, we are steering away from that rigidity, rather we are inspired by the period, but are reinventing.”
Albertus’s journey into costume design began in high school, where a part-time job as a theatre usher sparked her love for the craft. Despite her formal education in textile design, she credits much of her expertise to hands-on experience and learning from industry professionals.
“For young people looking to get into costume design, formal training is not always necessary. The best way to learn is by doing - gaining practical knowledge and seeking mentorship from those in the field. You never know it all; there's always more to learn.”
Audiences fortunate enough to attend Dalinda, can expect to be transported to a historical era with a twist - where the costumes are as integral to the storytelling as the music itself.
Tickets for Dalinda cost from R100 to R500 through Webtickets.
Under 18s will be able to see this important work for free but must reserve seats on Webtickets.
Related Topics: